b. 1497, Augsburg, d. 1543, London was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.   Related Paintings of Hans holbein the younger :. | Detail of | Portrait of Henry Viii | the ambassadors | Portrait of Sir Thomas More, | Portrait of the Merchant Georg Gisze |
Related Artists:
WATTEAU, Louis-Joseph
French Painter, 1731-1798 Nephew of Antoine Watteau. He trained in Paris with Jacques Dumont, and at the Academie Royale, where in 1751 he was awarded first prize for painting. In 1755 he settled in Lille; there he became assistant teacher at the school of drawing, but was dismissed, because of what was considered a scandalous innovation, the introduction of study of the nude, as in Paris. He then returned to Valenciennes for some 15 years; around 1770 he became assistant teacher to Louis-Jean Gueret, director of the school of drawing in Lille, whom he succeeded in the post in 1778. On Watteau's initiative, an annual Salon, at which he himself exhibited regularly, was established in Lille in 1773.
Henry J Morgan
painted HMS 'Comus' in 1899
Marcus Stone
British 1840-1921 English painter, son of Frank Stone, ARA, was trained by his father and began to exhibit at the Academy before he was eighteen; and a few years later he illustrated with much success books by Charles Dickens, Anthony Trollope, and other writers, friends of his family. He was elected an associate of the Royal Academy in 1877, and academician in 1887. In his earlier pictures he dealt much with historical incidents, but in his later work he occupied himself chiefly with a particular type of dainty sentiment, treated with much charm, refinement and executive skill.